(Though she didn’t assault anyone, however.) The clip turned “Bittersweet Symphony” into a huge hit, but it also set them up for years of litigation since the song samples a symphonic version of “The Last Time” by The Rolling Stones … and they didn’t exactly have the rights to it. Stern drew inspiration from the video for Massive Attack’s “Unfinished Symphony,” in which Shara Nelson takes a similar stroll down a Los Angeles street. The original cut showed the Verve frontman getting his comeuppance when a group of thugs beats him to a bloody pulp the end result, however, he’s simply joined by his bandmates and walks off unscathed. The premise is simple: Richard Ashcroft walks down a busy London street, aggressively bumps into people headed in the opposite direction, and totally ignores their agitated responses. From Adele’s “Hello” to ZZ Top’s “Gimme All Your Lovin'” - these are the videos that continue to thrill us, delight us, disturb us, and remind us just how much you can do in three to four minutes with a song, a camera, a concept, a pose, some mood lighting, and an iconic hand gesture or two. But all of these picks are perfect examples of how pairing sound and vision created an entire artistic vocabulary, gave us a handful of miniature-movie masterpieces, and changed how we heard (and saw) music. No, “Thriller” is not.) A few pre-date the channel several have never played on MTV at all. You’ll notice some significant changes from the last time we did this. In honor of MTV’s 40th anniversary, we’ve decided to rank the top 100 music videos of all time. Four decades after the channel’s launch and long after it stopped playing them, music videos still complement songs, create mythologies, and cause chatter and controversy. The internet soon stepped in to fill the void. The format proved so durable that when MTV decided to switch things up and devote its air time to game shows, reality TV, and scripted series, thus shutting down the primary pipeline for these promos, artists still kept making them. Entire genres and subgenres - from hip-hop to grunge to boy-band pop to nu metal - became part of the mainstream. The network revolutionized the music industry, inspired a multitude of copycat programming, made many careers, and broke more than a few. Virtually everyone knew what a music video was, and they wanted their MTV. At this point, viewers might have a few questions, like: Is this like a radio station on TV? What is a “VJ”? And what the hell is a “music video”?Ī year later, no one was asking that last question. This wasn’t a news channel it was “Music Television.” If they kept tuning in, they’d see clips and hear VJs talk about bringing you the latest in music videos. And then they’d hear a voiceover, with all the smooth patter of an FM disc jockey: “Ladies and gentlemen, rock & roll.” Cue power chords, and a flag with a network logo - something called MTV - that rapidly changed colors and patterns. The familiar sight of Neil Armstrong exiting his lunar module and walking on the moon would fill the TV screen. In the wee hours of August 1st, 1981, someone flipping through their channels might have come across the image of a rocket blasting into space.
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